Przykłady użycia

Przykłady dopasowywane są do haseł w zautomatyzowany sposób - nie gwarantujemy ich poprawności.

"The Polish presidential plane did not make it to the runway while landing. Tentative findings indicate that it hit the treetops and fell apart," Smolensk's governor, Sergei Anufriev, said.
Yvette Cooper, the work and pensions secretary, said: "It is unfair to tell children whose parents, for whatever reason, aren't married that they and their families are second class. What kind of signal is that?"
Pause for breath, slip to the loo and by the time you got back to the action, the action had moved on so far you struggled to catch up. One minute England's Lee Westwood was cruising along five shots in the lead, his destiny beckoning as well as a Green Jacket and just half an hour later he was a shot behind Phil Mickelson after suffering a sloppy bogey at the 12th hole in the heart of Amen Corner.
Meanwhile KJ Choi, Korea's favourite golfer, was sliding quietly through the pines. While everyone was watching everyone else this beautifully balanced, metronomic golfer was clipping his way up the rankings. As was Fred Couples. Now 50, his hair steel grey, his feet so tender he wears sneakers rather than golf shoes to negotiate Augusta's demanding hills, Couples is playing as well as he did when he won here 18 years ago.
That he is in a position to do so is yet more testimony to a stellar golf game and a mind so hard-wired for success and self-belief that he has no idea how anyone could have doubted that the man who showed up here for his rather pathetic showdown with the media a week ago was not going to be able to perform well. Peter Alliss, whose treacly tones help illuminate the BBC television coverage from Georgia, has no doubt about how important it would be for Woods to triumph again today. "I may be the only one who doubts that he will ever beat Jack Nicklaus's 18-major benchmark," he says. "Look, he is getting older and he has had injuries and other stuff to contend with. Certainly, I'll tell you this, if he doesn't win a couple of this year's majors then he is in trouble."
Keith Simonds, when he is not on the beat, protecting dignitaries or riding his Harley-Davidson, gives classes to children on the impact â?? and avoidance â?? of violence. "I tell them my story and tell them to report violence: I tell them if the third man in the plot, name of Fourrier, had told the police what McVeigh and Nichols were up to, I wouldn't be here today. I tell 'em to watch for gangs, to do sports or clubs or cheerleading instead; I tell even the baddest of them: it's OK to have feelings." "The thing I cannot explain to myself," says Catherine, "is that it was an American who did this, who had walked by the children he killed. You lose your false hope that it cannot happen here. This wasn't someone from the Middle East â?? an American did this to us, and it can happen again."
The aftermaths of outrages such as 9/11, Beslan or Srebrenica are characterised by grating and grated nerves â?? friction, even â?? between the differently traumatised bereaved, survivors and rescue workers. The different wounds cut so deep, and so unforgivingly to the individuals affected, that often these constituencies, though bonded by the same horror, are as divided as they are united by raw emotion and grievous loss. "It wasn't easy at first," says Catherine Simonds, "People would say to me, 'Well, I lost a child', and I'd think, 'Well, my dad was my grandma's baby.'" Almost uniquely, Oklahoma has suceeded in bringing these people together into what Rashell Hammons, the mother of children who survived â?? faced by those whose children did not â?? calls "an extended family". This is a far more formidable and singular achievement than it will appear when the bereaved, survivors and rescue workers gather together tomorrow week, and it did not happen by accident.
The anniversary commemorations are held at the Oklahoma National Memorial, a place most of the bereaved and survivors say they love, and in which they feel at home, helped, comforted if not healed. "I love it," says Catherine Simonds, "it is very, very beautiful." In a time such as ours of much thought and debate over what memorials and monuments should represent and achieve, this site sets a gold standard. It is unrivalled anywhere. The Oklahoma memorial is in part set on the gaping space left by the Murrah building, but includes some of its jagged, incinerated walls. There are 168 empty bronze chairs set on a lawn, each engraved with a name, their bases illuminated during darkness, so that the chairs of the dead float on beacons of light. At either end are huge "Gates of Time" marking 9.01, the last moment of the city's innocence, and 9.03, "the moment we were changed forever", says the guidebook. This place is always open, and the bereaved come often, as do survivors â?? there is always someone to tell their story to a visitor. Passing teenagers instinctively switch off their boom boxes; the 24-hour toilets are always clean. "It's not a cemetery, where people come to mourn, it is a place to remember and to learn," says director Kari Watkins. "A memorial should be beautiful, it should be a place that's always open, 24 hours, at its best for anyone who lost a family member, or even just those passing on I-40 who come by to look." The space is quite a lesson to post-9/11 New York, whose memorial committees have serially visited.
Wilson's job quickly changed to that of counselor and chaplain, and has not changed since. "I'm treating guys now, 15 years on, who've been treading water all that time and it suddenly hits. They were working for eight hours through rubble to reach a victim who has died. And if you do that, you personalise them on the way. You find their crucifix, their purse, pictures of their children, personal items. You are spending time with that dead person. You're saying: 'I must rescue the kids, but please don't let me be the one to find them.' You're finding body parts, and what we are saying is you have to think of it as reconstitution of a person, you're scraping body matter, but you're not a ditch digger. We tell them they have done the best they can to restore as much of that person back to their family as was possible."
On whom, then, did she base such a memorably real character? "With all due respect to her, my mum is quite like the description. The way Robert Harris described the character is a very interesting type of woman who I think I know, which is a woman who has succeeded in her field â?? my mother's a barrister as well â?? and become an interesting character in the eyes of people who are not looking for someone who's always trying to please. And this characterâ?? unable to hide her irritation, can't ask for something without making it sound like an order, and all those things are sort ofâ?? traits in my family."

W ell, perhaps we should look in the book again.
Może powinniśmy zajrzeć do książki jeszcze raz

But I ell myself it's the sound of butterfly's wings.
Ale wmawiam sobie, że jest to odgłos skrzydeł motyla.

T ell me where the piece is, and I'il let her live.
Powiedz mi, gdzie jest ostatni fragment, a ona będzie żyć.

T ell me something, what does no-date pact mean to you?
Powiedz mi coś. Co wyrażenie bez randek znaczy dla ciebie?

T ell me what I need to know.
Powiedz mi wszystko, co muszę wiedzieć.

It's none of your business T ell Grace to come to the phone.
To nie twoja sprawa. Powiedz Grace, aby podeszła do telefonu.

T ell them to get somebody else, please.
T ell im się kogoś innego, proszę.

Now tell me-- T ell me about your new job.
Teraz opowiedz mi o twojej nowej pracy.

W ell, thank you, Piglet, but, um, perhaps another time.
Dziękuję, Prosiaczku, ale, um, może innym razem.

W ell, I want to find him, too.
Ja też zamierzam go znaleźć

W ell... right here. Because this is where I thought of it.
Cóż... może właśnie tutaj bo tutaj jest miejsce gdzie o tym pomyślałem

T ell him I'm working on it.
Powiedz mu, że nad tym pracuję.

T ell him even his old friend Farraday can't clean such linen for him.
Powiedz mu, że nawet stara Farraday tego po nim nie posprząta.

Maybe ell find out. - It could be one person, a fear of someone...
To może być osoba, strach przed kimś. . .

W ell, someone somewhere must know something.
A więc ktoś gdzieś musi coś wiedzieć

T ell them the ferret only eats fresh vegetables.
Powiedz im, że fretki jedzą tylko świeże warzywa.

W ell, Owl's house was on page one.
Więc dom Sowy był na pierwszej stronie.

ell us a story from before we can remember.
Opowiedz nam historię, której nie znamy.

T ell Jiro I want to see him.
Powiedz Jiro, że chcę się z nim widzieć!

Not anymore. ell me something.
Już nie. Carlo, powiedz mi.

W ell, it's a thing you discover.
Więc to jest rzecz którą się odkrywa.

T ell Papa I love him.
Powiedz tacie, że go kocham.

W ell, I, uh, certainly enjoyed myself, too... and you can call me Rabbit.
No, ja, uh, też się dobrze bawiłem... i możesz mówić do mnie Króliczku.

ell me why you think you need therapy.
Dlaczego potrzebuje pan terapii? Nie ja!

N ElL: This is a once-in-a-lifetime opportunity here.
To jest szansa, możliwość życia tutaj.

ell, what are you gonna do When you get out of here?
Co będziesz robił, gdy już stąd wyjdziesz?

N ElL: Oh, my God, that Was amazing!
O mój Boże, to było doskonałe!

ell Castlebeck he's not gonna believe who just walked into the Quality Cafe.
Powiedz Castlebeckowi, że nie uwierzy kto właśnie wszedł do Quality Cafe.